325 Langue de départ ΣτÏουθίου ΣτÏουθίου δΠποτε διωκομÎνου ὑπὸ á¼±ÎÏακος καὶ εἰσπηδήσαντος εἰς τοὺς κόλπους αá½Ï„οῦ, καταψήσας μεθῆκεν, εἰπὼν τὸν ἱκÎτην δεῖν μὴ á¼ÎºÎ´Î¹Î´ÏŒÎ½Î±Î¹. σκωπτόμενος ὑπὸ Βίωνος οá½Îº ἔφη αá½Ï„á¿· ἀποκÏινεῖσθαι· μηδὲ Î³á½°Ï Ï„á½´Î½ Ï„Ïαγῳδίαν ὑπὸ τῆς κωμῳδίας σκωπτομÎνην ἀποκÏίσεως ἀξιοῦν. Ï€Ïὸς δὲ τὸν μήτε μουσικὴν μήτε γεωμετÏίαν μήτε ἀστÏονομίαν μεμαθηκότα, βουλόμενον δὲ παÏ’ αá½Ï„ὸν φοιτᾶν, ποÏεÏου, ἔφη· λαβὰς Î³á½°Ï Î¿á½Îº ἔχεις φιλοσοφίας. | Traductions demandées Grec |
6 Langue de départ Cette demande de traduction ne concerne que la signification. ناونیشان | Traductions demandées Arabe |
| Traductions demandées Arabe |
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36 Langue de départ Montre-moi ton amour par/Ã travers tes caresses Montre-moi ton amour par/Ã travers tes caresses Je souhaiterais traduire cette phrase afin de me la faire tatouer
Je remercie deja toute personne qui pourra m'aider ! :) | Traductions demandées Latin |
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334 Langue de départ Ne Tadı Var Dünyanın Gelmezsen dönmezsen
Öpmezsen sevmezsen
Ne tadı var bu dünyanın
Ne hayat ne rüyanın
Ne bugünün ne yarının
Ne sensiz hatıranın
Gelmezsen öpmezsen
Sevmezsen dönmezsen
Ne anlarım ben bu aşktan
Dudakların uzakta
Vazgeçtim ben bu sevgiden
Sen düştün kalbimden
Gelmezsen dönmezsen
Öpmezsen sevmezsen
Ağlamaya var mı nazım
Yorgun düştü gözüm
Vazgeçerim elbette ben
Dönmez sevmez öpmezsen | Traductions demandées Serbe |
11 Langue de départCette demande de traduction ne concerne que la signification. нийлбÑÑ€ цацраг нийлбÑÑ€ цацраг | |
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255 Langue de départ Sampling permit Sampling requires a special permit from the Directorate of mining.The sampling means withdrawal is necessary to assess the commercial viability occurred.Permission sampling can not be given for the withdrawal of more than 2000 m3 mass except in special cases. Conditions maybe attached to the permit. it is a part of Norwegian mineral act. | |
204 Langue de départCette demande de traduction ne concerne que la signification. Gözleri siyah kadın Gözleri siyah kadın o kadar güzelsin ki
Çok sevdiğim başına yemin ediyorum ben
Koyu bir çiçek gibi gözlerin kapanırken
Bir dakika göğsünün üstünde olsa yerim
Ömrümü bir yudumda ellerinden içerim
Gözleri siyah kadın o kadar güzelsin ki hırvatça cevirisi rica | |
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43 Langue de départ C'est un opprobre pour le lion de pleurer face au... C'est un opprobre pour le lion de pleurer face au renard Bien le bonjour !
Je m'appel Deborah. Je viens vers vous car j'aimerai que vous m'aidiez. Il m'est tres difficile d'obtenir une traduction fiable en hebreu. J'aimerai donc, si quelqu'un peut m'aider, avoir une traduction de cette phrase.
Pour moi, elle signifie beaucoup, elle m'a aidée a comprendre plusieurs choses dans un moment difficile de ma vie.
Pour vous aider, je la comprends comme cela : C'est une honte pour quelqu'un qui se considere comme quelqu'un de fort et de fier, de pleurer et de se laisser atteindre par les gens fourbes qui nous veulent du mal. J'aimerai donc une traduction fiable, au sens litéral, c'est a dire, la phrase de base et non pas quelque chose de detourné (du genre conflit entre deux personnes) que j'ai put trouver.
Merci a vous ! | |
2267 Langue de départ namoWoman : In between worlds of sexualities, dualities and tonalities By recreating themselves, artists transcend their time and place and now Salim has endeavored to overlook the life in his hometown, Tehran, by composing his 6th album, namoWoman. An instrumental avant-prog and prog metal album, namoWoman hires microtonal Persian music influences while introducing a newly constructed language (conlang) named "l3abEl" (pronounced Babel) in which the album’s booklet is written.
Salim is a man of extremities while always seeking reconciliation and harmonization among the most remotely contradictory elements. So developing as a rock/metal artist in a rock alien environment in his hometown or expressing himself by personalized mediums like a conlang of his own, all come natural to his lifestyle. In his 2012 album, Salim has hired an expressionist microtonal approach toward art rock/metal that he describes himself as "empty spaces filled with occasional wild electric guitars and expressive melodies while having oriental dance elements undercover".
About the concepts behind namoWoman composition, Salim says "I have always found the assumption of impossibility an important trick against my mind – a human mind that usually prefers patterned and inductional methods of cognition." Salim adds: "As an artist, creating and experimenting with yet unexplored mental realms has always fascinated me and in order to trick my mind into pushing toward new possibilities, I like experimenting around fundamental concepts like human sexuality. Ideas like considering human sexuality beyond its dualistic nature let me to enter a new mindset and fascinations about worlds of non-Carbon based life, gradually fed my creativity for namoWoman. Maybe I can say this mindset forced my mind to respond on vital levels and challenge its own existence…"
The album cover features Carvaggio’s painting of Medusa, which according to Sigmund Freud is "the supreme talisman who provides the image of castration". Salim says: "namoWoman cover design is a symbolic representation as if the way of transforming dualistic conceptuality passes through castrating one’s sexual identity and reconstructing it anew. All songs in this album appear as perspectives of such creative realms".
Here, Persian music quarter tones are coming in between western music intervals – as Salim has outlined in a music theory article on his website, "Persian Modes: Reading Between the Lines of Western Music". While quarter tones harmonize namoWoman album’s musical language, the l3abEl conlang accompanying its booklet tries to establish the harmony in realm of words.
namoWoman is available in digital and CD format at www.salimworld.com/album-namowoman.htm
namoWoman is the name of a music album Traductions terminées  namoWoman: Entre mundos de sexualidades, dualidades y tonalidades  namoWoman : entre mundos de sexualidades, dualidades e tonalidades namoWoman : entre sexualité, dualité et tonalités  namoWoman: Ð’ перерывах между мирами ÑекÑуальноÑти, двойÑтвенноÑти и тональноÑти.  namoWoman: Zwischen Welten aus Sexualitäten, Dualitäten und Tonalitäten  namoWoman: tussen werelden van seksualiteiten, dualiteiten en tonaliteiten.  namoWoman: ÃŽntre lumile sexualităţilor, dualităţilor ÅŸi a tonalităţilor namoWoman : Cinsellik, ikilik ve tonalite dünyaları arasında  namoWoman : mittemellan världar av sexualitet, dualism och toner  PomiÄ™dzy Å›wiatami seksualnoÅ›ci, dwuznacznoÅ›ci i tonalnoÅ›ci  Imellem verdener af seksualiteter, dualiteter og toner | |
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