翻訳されたドキュメント

Vergin, tutto amor,
O madre di bontade,
O madre pia, madre pia,
Ascolta, dolce Maria,
La voce del peccator.

Il pianto suo ti muova,
Giungano a te i suoi lamenti,
Suo duol, suoi tristi accenti,
Senti pietoso quel tuo cor.
O madre di bontade,
Vergin tutto amor.

... gaano ka da bi...

Sende öyle canım

the troops beat a tattoo

J’espère que vous allez bien. Je suis Nora. J’ai travaillé chez vous quelques mois, mais j'ai malheureusement dû quitter subitement mon travail dans votre chalet, car ça se passait mal, surtout avec Laurent.

Congratulations! you are doing really great!

Ben Hollanda vatandaşlığına geçeceğim. Türk pasaportumun süresi de bitmek üzere. Türk vatandaşlığından çıkacağım için Türk pasaportumun süresini yine de uzatmak zorunda mıyım?

Bana göndermiş olduğunuz evrakların üzerine yukarıda yazan apostil şerhini boşandığınız mahkemeden almanız gerekiyor.
Ayrıca evrakların konsolosluk onaylı tercümesi gerekiyor.
Bu evraklar tamamlandıktan sonra davanız bitecek.
Apostil şerhini mutlaka almanız gerekiyor.

倒れた子どもを会抱した。

Confie e Espere

The work is a triptych dedicated to the three Italian composers Luciano Berio, Bruno Maderna and Franco Donatoni.

Entrego a ti minha alma e meu coração.

"The music has from time to time the same darkness as we know from Univers Zero." -Iconophobic album review
"[It is] far removed from the avant-garde parts of any musical universe"
"You need to tread carefully if you are entering the Iconophobic world of Salim. You have been warned."
"Iconophobic is a strong statement from Salim on life in his home city of Tehran."
"Without information freely given, the visceral heart of the creator will serendipitously change you."
"Without ever becoming predictable, and taking care to add in the odd dissonant or arhythmic segment, the gritty guitars and swirling violins create stunning contrasts..."
"...Hendrix and Santana have also obviously instructed the phenomenal axe genius that Salim truly is."
"After careful listening I really wasn't able to find any particular artists that have influenced them more than others, or indeed pinpoint any specific influences at all."

In Ustuqus-al-Uss album I somehow inclined to jazz fusion and classic instrumentation. I think the eastern “blend” still dominates e.g. in “Ustuqus-al-Uss-al-Avvalin” which I think is the most progressive song I have ever composed (The second catchy guitar solo is performed by Pouyan). Some songs are extremely personal e.g. “Naught been I thou” which is an off-beat jazzy tune with unusual dance elements... These songs are my utmost fears and hopes - to a degree that made me mute from communicating by words. And thus they become instrumental sounds...

"Sovereign" is an instrumental recitation of Shahnameh (The Epic of Kings) i.e. an extensive Persian epic poem written by Ferdowsi as a collection of Persian mythologies. Here you will find western rock instrumentation with eastern flavor. Some songs, I think, are apt to be adapted for traditional Iranian dance; especially “Sovereign” and “Harem” tracks. Actually, I am looking forward to the choreographic performance adaptations for this work whenever possible. Imagine Iranian "Coffee-house paintings" and belly dance with distorted guitars performing cheerful rhythms... Unusual combination? No, to me that sounds all natural!

"When There is More Beauty in the Contrary", Negar and Salim's single released on 1/1/11, is an oud and electric guitar instrumental. It is a portrayal of ancient east versus modern west.

"Combining traditionally dissimilar forces into one cohesive composition", this song reflects its composers' backgrounds in Persian contemporary and progressive rock genres.

Life is not measured by the
breaths we take but by the moments
that take our breath away.

love only brings pain and suffering

she will be loved